Showing posts with label jewelry. Show all posts
Showing posts with label jewelry. Show all posts

October 10, 2011

What I did with the f'opal wreckage

Hey Blog and readers, you recall my post about how I made f'opals (faux opals), and you recall how I ended up with some crazy bits and pieces of crystalline awesomeness also known as f'opal wreckage, right? Right! Well,
I tucked that stuff in a baggie and saved it, because I already knew how I was going to use it in future.

You see, some weeks back I came upon pretty much the coolest idea for faux rocks I've ever seen. Like, drop your jaw and have roll away under the couch awesome. It was a sandstone and opal combo devised by a polymer artist called Randee Ketzel. I didn't know how she made them (and still don't, but she does sell a tutorial I believe), but I was determined to try to make my own. And as you can see here, I did!


So, for any of you who braved your way through my f'opal tutorial, or otherwise have devised a method to create twinkly crystally stuff that would work in this sort of rock, here's what you need to make it happen:

REQUIRED ITEMS LIST

  • some faux opal chunks or other crystalline polymer clay fauxness
  • white granite polyclay (like Premo Sculpey white granite, which I used)
  • tan/ivory polyclay
  • teensy weensy seashells
  • large embroidery needles, knitting needle, or other pointy tools
  • beading hole wires
  • brown acrylic paint
  • Future floor polish

STEP ONE - PREP THE SANDSTONE

Blend a smidge of tan clay into the granite clay to create a color that is off-white. Roll it out into a thick sheet of clay.

STEP TWO - MAKE THE ROCKS


Take a chunk or two of crystals and wrap them in some sandstone clay. Make an irregular stone-like shape, leaving the crystals peeking out. Make sure the part of the stone that will have the threading hole doesn't have the pathway blocked by the crystal(s).

Use the tiny seashells to create fossil-like markings all over the stone, including the back. Then use two or three sizes of needles or pointed tools to create pits in random groupings and patterns over the stone.

Insert any wires through the rock for threading later. (You can drill holes if you prefer, but because of the rough surface of these rocks, you don't need a neat, smooth hole and can do it this easier way instead.)

Bake per your clay directions (I did 25 minutes at 260 degrees).

STEP THREE - PAINT AND POLISH

Mix a warm, golden brown color of acrylic paint and water it down just a bit. It should be thin in consistency but still opaque.

After cooling your rock and removing any wires, paint it one area at a time with the paint, and then rub off the paint immediately with a clean cloth or paper towel. You'll get the hang of removing most of the color from the surface while leaving paint in the little fossil marks and pits to accentuate them. Try not to get paint on the crystals.

Carefully give the crystals two coats of Future to make them extra shiny.

Your sandstone and f'opals are ready to string! I made this fun set of necklace and earrings, which I am in fact wearing even as I type! As Blog here would know, if he weren't just an anthropomorphized non-corporeal being without actual eyes. I love these rocks and am eternally grateful to Randee for having come up with such a fabulous idea. Yay Randee! Yay clay!

September 19, 2011

How to make f'opals (faux opals)

Blog, I find it fascinating that lately we're getting thousands of visitors to the post we did about crazy homecoming mums, when I've never even made crazy homecoming mums. I have, however, made my own brand of faux opals which (thanks to my uberpal Martha's idea) I call f'opals. Why look, here's a f'opal I made now--check it out!



Our readers can make f'opals just like this, Blog! That is, of course, if they have the required items on this Required Items List:

REQUIRED ITEMS LIST

  • translucent polymer clay (and the usual tools/equipment for working with same)
  • opal colors of clay, in metallic or pearl varieties (I used blue and green; peach, yellow, pink and purple would be good too)
  • Perfect Pearls metallic powder in opal colors (see above)
  • iridescent glitter
  • Dremel tool
  • bits for rough sanding, finer sanding, polishing and drilling
  • Future floor polish
  • Optional--iridescent or opal colors of thin foil


STEP ONE--PREP YOUR F'OPAL FIXINS'

The general thing about making f'opals, Blog, is that you are trying to recreate the random, translucent, crystalline aspects of an opal. So start by making yourself some globs of translucent clay tinted into pastels, by mixing a bit of metallic or pearl color clay with translucent. Don't mix it too much...go for swirly.

When you have two to five colors, roll them into ropes of varying thickness. Then combine the ropes by twisting and smooching to produce a random, only slightly mixed ball of the various colors.

Get out your Perfect Pearls powders of choice, as well as your iridescent glitter. You can also prepare some tiny teeny snippets of foil if you want, but make them teeny. You can also take some metallic colored clay, roll it out very thin, and chop it into tiny bits...but remember if it is dark colored, you will get an effect not totally opalescent (but still interesting).

STEP 2--BUILD YOUR BASE F'OPALS

Slice the multi-tinted ball of clay into thin layers. Take a layer and paint with some daubs of Perfect Pearls, or sprinkle with some glitter, or top with a piece or two or three of foil or clay fragment. Top with another layer, and repeat. Continue in said fashion, going for random and multicolored.

When you've stacked and festooned all the layers, press together and form into a spheroid shape. Twisting a little is fine--just make sure all the layers are pressed together firmly.

Cut your f'opalescent glob into any number of smaller globs, the approximate size you want the ultimate f'opals to be. Gently roll each piece into a sphere.

Roll some plain translucent clay into the thinnest possible layer. Cover each sphere with this clay and then round into a ball again and make sure any seams are smoothed out.

Bake as usual for the type and size of clay (I did 20 minutes at 270 degrees).

STEP 3--HERE'S WHERE IT GETS FREAKY...F'OPAL WRECKAGE!


So, Blog, up until this point my technique was not really different from other people's you can read about in online tutorials. But at this point things took a hard left turn onto Freaky Street.

In the oven, all my f'opals cracked. For whatever reason, the outer shells cracked and half came off, and some of the inner parts cracked as well. As it turned out, though, I think this is what made my technique end up to be really cool.

You will want to prepare a big bowl of ice water and set it near the stove. When it's time to remove the f'opal wreckage from the oven, dump everything at once into the ice water. This is what makes the clay go as clear as possible.

Now it may well be (highly likely, I'd say) that your f'opals don't crack in the oven. Not to worry. When they are cool, just dry them off. Lay some paper on a hard surface like your concrete basement floor, put on eye protection, and smack those suckers with a hammer. Gather up the resulting f'opal wreckage (some small pieces, some tiny) in a small plastic bag and you're good to go back to your claying area for the next step.

STEP 4--F'OPALING FOR REAL THIS TIME

The little bits of f'opal wreckage have all kinds of fun crystal-like qualities. Choose a piece or two that you especially like, and then coat them once again with plain translucent clay and roll the result into a ball. If you can't exactly get a smooth ball, that's okay--you don't need to.

Re-bake, and re-plunge into fresh ice water. Your new and this-time-for-real faux opals will look like what you see in the photo.



STEP 5--SANDING AND POLISHING

Time to literally crank that Dremel tool, Blog. Don your mask and eye protection, and a smock or old clothes. Start with the rough sanding bit in your Dremel. Take a baked, cooled, dry f'opal.

Use the Dremel to sand, with two goals in mind: to shape the f'opal into its desired ultimate shape, and to expose some pretty areas. Under the plain outer shell, underneath you'll find really interesting colors and patterns and sparklies. The color, intensity, and shine of these will increase with the later steps. It's like digging for buried treasure!

When you have the basic shape you want, switch to the fine sanding bit and make the f'opal smoother all over.

Lastly, switch to the buffing bit and buff the heck out of that little guy. No doubt it will fly out of your hand a bunch of times (and shoot under the most cobwebby shelving in your basement, possibly), so keep a good grip if you can. Don't stop until it seems almost perfect.

Wash any dust off, dry, and get out the Future and a small paintbrush. Give the f'opal two coats of Future (one side at a time, so that's four steps total), allowing 20-30 minutes drying time in between coats. Now it will gleam just like a real opal!

Drill a hole through the f'opal if you wish to string it, and you're done! So here's the choker necklace I made with a few of my batch of f'opals...


Blog, I've wanted to make my own opals for a very long time...they are my favorite semi-precious stone. Now I have the next best thing at a fraction of the cost. That mother-of-all-f'opals focal-f'opal is my pride and joy!

March 2, 2011

Crafting with random stuff

Crafting falls into two categories, Blog:  the projects you plan and purchase supplies for, and the projects you do from whatever random stuff you have on hand.  While the former type of project often leads to more polished and impressive results, the latter type has its advantages. Random crafting means no outlay of cash that you haven't already spent, and it yields a special satisfaction because you made something cool out of whatever was on hand.

Sunday I had a little spare time open up, so I pulled out my many jewelry supply storage boxes (which are random in and of themselves, Blog) and fashioned this necklace.  The elements included are:

1.  Four types of ribbon I purchased as a group at the 2009 Bead & Button show in Milwaukee.

2.  A gold chain I bought on sale at Michaels on some random shopping trip.

3.  Some gold beads that were part of a giant assortment I bought on eBay in 2007.

4.  Some assorted wooden beads I found in my sewing box years ago that I probably had since the 70s.

5.  Some plastic leaf beads I totally do not recall buying but have also had for years.

And they all come together to make this pretty nice necklace!  Sweet.

As any jewelry making hobbyist (or any craft hobbyist of any kind will tell you), part of the joy of the hobby is acquiring a nice supply of random items.  This includes taking advantage of sales and clearances at traditional craft supply sources as well as always being on the lookout for stuff you can use.  Some of my more unusual sources have been:

  • The beach - rocks and driftwood
  • Lowe's - glass tile pieces
  • The basement - misc. metal fasteners
  • American Science & Surplus - semi-precious stones, jars, scrap metal
  • Milwaukee Art Museum snack bar - an unusual soda bottle

And the best thing about this whole process is that you make the world a prettier place!  That's a worthy cause, wouldn't you say, Blog?

February 20, 2011

How to have a steampunk high tea

My dearest Blog, I was privileged yesterday to be among the fortunate guests at a steampunk high tea. Meet (standing left to right) Julianne, Chuck, Henry, Layla, Anna, (yours truly), Greg, and (seated) our hosts, Laura and Paul.


How precisely ought one host a steampunk high tea? Why, I am glad you asked, Blog.

First of all, for those unfamiliar with the term "steampunk," it is a popular genre of fashion and fantasy that combines Victorian style with science fiction elements of the type found in the writings of Jules Verne and H.G. Wells. Think time travel, airships, machinery incorporating gears and steam engines, all expressed with the elegance of the Victorian period. And what better way to enjoy the company of fellow steampunk fans than at a high tea, a social event very much in vogue during the reign of Queen Victoria?

Like steampunk in general, such a gathering is certainly open to individual interpretation. But I will share with you some tips based upon the manner in which it was executed by our delightful hosts, Paul and Laura. Follow these guidelines and you too can travel back to a romantic time that never really quite existed....

1. Invite guests who will come attired in steampunk-themed garb. As you see, that is key. Outfits include top hats and vests, splendid coats, long skirts, high button shoes...and the more subtle steampunk elements just as goggles, jewelry fashioned of gears and cogs, and props such as the sextants at Greg's hip in the photo above. British accents such as were employed by Henry and Greg are optional, as are imaginary character back stories, but hope to have a few attendees who will amuse your guests with same! And a de rigueur activity for guests is admiring each other costumes. Henry's "spat shoes" received particular attention.

By the way, it's not hard or expensive to contrive your own steampunk costume. I outfitted myself for about $50 out of pocket. A better view of me:


Start in your own closet. I used a shirt and vest I already had, and high-button velvet boots from a prior costume. Supplement with items from thrift stores, online steampunk shops, Etsy and eBay. I got my bustled skirt on eBay from Moonlight Cove. Don't forget steampunk props and jewelry, like the steampunk heart pendant I made from polymer clay. You can achieve a lot by spending a little. I made my hat from supplies I bought at Michael's for under $10.


2. Prepare a romantic, old-fashioned table. Paul and Laura happen to own a variety of antique china perfectly suited to the occasion.  Combined with equally splendid goldware, glassware, tablecloth, napkins, and fresh flowers, the look is formal but charming.


Don't forget placecards and small gifts such as the net bags Laura made and filled with period-appropriate salt water taffy. Note the small gear sewn on the bag for that steampunk touch. 
3. Serve tea. We were offered three types of delicious teas with cream, sugar and honey. There's something so delightful about the ritual of pouring tea. The guests at your tea will also enjoy the option of alcoholic beverages; we had some cherry wine as well as both sweet and dry champagne.

4. Observe the traditions of high tea food. Laura informed me that high tea includes three courses: scones, sandwiches, and desserts. Our scone course included two offerings. Our sandwiches were both sweet and savory (strawberry, cucumber, and some wonderful chicken salad on cherry walnut bread).


And the desserts included both raspberry and lemon layer cakes, petit fours, and chocolate truffles from Harrod's.


5. Discuss the wonders of steampunk. Of course the meal can include any sort of discourse that arises, but it's definitely a good opportunity to talk about DIY steampunk projects and past steampunk gatherings like the TeslaCon that takes place in Wisconsin. Here Paul examines some nifty goggles that Henry fabricated out of leather, showerhead parts, etc.


6. Provide appropriate props for your guests to enjoy. Among the props at our party was my little creation Herbert G the stitchpunk doll. It was a thrill to share him with such an auspicious group! Our hosts had a nifty stereoscope on hand and plenty of antique photos for us to view in 3D; here you see Greg trying it out while Chuck awaits a turn.


Paul also brought out the old 3D camera he bought to create his own 3D pictures. Note: two lenses! It uses regular 35 mm film.


7. Don't mind the anachronisms. Paul's iPhone came in handy for steampunk related research. No reason not to take advantage of the tools of the current age. You can always account for the phenomenon by pretending to be time-travelers from the past, visiting the current year.


And that, Blog, is all you need to do to throw your own steampunk high tea. I made wonderful new friends and enjoyed a refreshing mental break from our Wisconsin winter and the trials and tribulations of real life.

Thank you, Paul and Laura! Bravo!

January 24, 2011

My new craft gallery revealed!

Well, Blog, I'm just as pleased as planter's punch to be able to announce the Sorta Secret Project I've been slaving over for a couple of weeks. It's my new, spiffy online craft gallery, and I am unveiling it officially today. It's a wonderful place for me to share my polymer clay, needlecraft, beadwork, and graphic arts projects.

www.dianasgallery.com is the nifty URL!

You see, since one of my Christmas presents was a professional photoshoot of my crafts by the inimitable Chris Robleski, I decided I needed a nice venue to properly display the resulting images. So I created this new gallery, and I think it turned out mighty nice.

What I was striving for with this gallery was:

  • a clean look that would show off the stuff
  • easy navigation
  • a quick way to view the items in a decent size
  • only enough text to provide key information
  • just a little bit of whiz-bangi-ness


It's amazingly difficult to find a balance between all the elements that can make for a good art/craft gallery. For example, I wanted quick and easy viewing of decent-sized images, which kind of required the use of Flash. However, that means you can't view the gallery on smartphones. Oh well!


I wanted clear enough detail, but not huge images that would take a long time to load. That meant having to put high-resolution images of everything also on Flickr, with links there from the gallery for those who want to be able to see more detail.

On my old gallery, I provided lots of textual information, which also meant a fairly ugly layout and probably more text than most visitors would want to wade through. Now, of course, I don't tell as much...but hopefully the photos are worth a few thousand words.

The photos are of course what makes the gallery. Sadly, Blog, I don't personally have all the neat jazz required to take this quality of pictures. As you can see from this picture of the photoshoot, Chris and assistant Katie were working with some seriously fancy equipment (not to mention some seriously fancy talent). They have given me the light box you see here, so I can do better with my own photos going forward, but I still will fall a bit short. I have made some items that I wanted to share but I no longer have in my possession, and it's easy to tell which they are by my WAY less cool photos. Fortunately, going forward I may be able to have the occasional "catch-up" session, at least for any really primo stuff I make in the future.

So, for those wanting to know some of the details of the process, I designed this site using the tools on Wix. I upgraded to a "Combo" plan which is $9.90 per month and makes the site ads-free. I blew an additional $11.95 for a year of having my own domain (via GoDaddy). Wix has all the tools I needed to create and manage the site, with the exception of course of photo editing. For that I use Photoshop Elements. (Katie did the the photoshopping on the new shots, and she has the full version of Photoshop.)

I'd love to hear feedback from artists and non-artists out there. With the vagaries of web browsers and monitor settings, no two people will experience the gallery exactly the same (another drawback of the world of web sites!). I'd also love if you have an online gallery if you'd share the URL, or let me know any gallery sites you've found that really impress you.

Huge thanks again to Chris and Katie for making my gallery possible! Now I am inspired to MAKE MORE STUFF!!!

January 3, 2011

Armed with a Dremel tool!

Speaking as we have been, Blog, of Christmas gifts, this year I received from Davie my own Dremel tool and accompanying workstation. Specifically, I got the Dremel 300 Series Variable Rotary Tool Kit, but that's rather lengthy. (And clearly the little guy has become such a friend already, he merits a name. Will have to think on that.)  Here's a photo of all the neat junk that came with this kit.
And the workstation, specifically, is the Dremel 220-01, which you see here. Also super nifty but it seems weird to name a workstation so I don't think I will. Anyway, in spite of it's not coming with any documentation, I succeeded in finding same online (yay once again, Interwebs!) and assembling the thing.

Where the Interwebs did let me down was in providing some handy all-you-need-to-know article for polymer clay artists who have purchased a Dremel. (And suddenly I find myself singing "Dremel, Dremel, Dremel / I bought to use with clay...") I found other people looking for said info, but no answers, not even on the Dremel website. What bit should I get for drilling beads? What should I use to polish them? Etc.? I did, however, discover that there are no less than 27358903 accessories for Dremel rotary tools. Yikes.

The one useful thing I found, since the initial inspiration for my getting this tool was to be able to drill through lentil beads, was a tutorial for making a jig to use for drilling through lentil beads. So yay! I had my first construction project. This meant--oh how exciting--I would get to go to Lowe's to buy some quarter round (my first experience in the lumber area, awesome!) and some clamps. I had some scrap wood, a big needle, and Gorilla Glue already on hand.  

Well, Blog, I got waylaid a little by cooking, but that was good, because I discovered our two nice kitchen knives were really dull. Instead of using the sharpener in the drawer, I took them down to my new Dremel studio in the basement and sharpened them with the D-dawg! (Probably not his official name.) They are now literally killer sharp, Blog!

Well, I was successful in whipping out that jig ("Use Dremel to cut and sand quarter round, check."). And I was ALSO successful in drilling lentil beads using it!  "Check again.") Thanks to advice from my friend Paul, I used one of the small drill bits I had for our electric drill, with a collet I ordered online (different size than what came with the set). This worked WAY better than my first trial attempt at drilling, when I used the cutting tool that came with the Dremel and looked deceptively like a drill bit. That ended up just carving the bead all up. I must say, it's weird that the set doesn't seem to have your basic drill bit...that whole topic was my biggest point of confusion. Anyway, here's a photo of my setup, with the new jig in the foreground, and you'll see the drilled bead hanging out with the equipment too.

Okay, so yeah, that was awesome. But I wanted to do something really fantastic next. While at Lowe's I found some glass tiles that were pretty enough for jewelry (the check out girl raved about them too). I also had some colorless glass pebbles that I'd bought to use for jewelry somehow but never figured out how. TILL NOW! I was able to drill holes in both using the diamond bit I bought online, underwater in a little plastic tray. Well, aren't the possibilities endless NOW, Blog? So here's what I made with these items, in the photo. And yes, I'm thrilled.

What next for me and my Dremel tool who I suspect is going to end up just being called "Dremel"? Not sure, but I have a hankering to find a piece of steel and force-rustify it, and make it into something that needs to be drilled....  

Stay tuned. And if anyone out there wants to share any good Dremel resources, please comment!

December 31, 2010

Homemade Gifts Reveal Part 3: Polymer Clay Stuff

In our third and final segment of the reveal of my homemade Christmas gifts, Blog, I'm happy to present the polymer clay projects.  It's my favorite medium! So let's get right to it.

MANZI'S REMY SALT CELLAR

My daughter Manzi likes Hitchcock movies, sure, but she's a fan of a lot of films, including Disney's "Ratatouille." She's nuts about the little rat chef hero, Remy.

Now Manzi and Nate's place is a little crowded (they're moving to bigger digs soon, yay!) so I didn't want to give her a Remy that didn't justify his existence somehow. Meanwhile, I knew that culinary devotee Manzi didn't have a decent salt cellar. So I decided to incorporate salt storage into my Remy. And, synchronistically, a week or two after I made this decision, Manzi even mentioned to me her desire for a salt cellar. It was destiny!

I sought out a few images of the cartoon Remy from different angles to use as models. Then I made a core of aluminum foil and incorporated some sturdy wire to support Remy's tail and arm. I used a pair of leftover eyes I'd made previously (a time-consuming process I was glad to have pre-completed), a lot of gray and pink clay, and beading wire for whiskers. A scrap of white fabric became his kerchief, emblazoned in red pen with "Cucina alla Z," a reference to Manzi's imaginary restaurant/catering business (her other nickname is "Z"). A salt cellar purchased from Bed, Bath and Beyond and an old baby spoon completed Remy's accessories.

Here's the little guy ready to assist in the kitchen:


And a back view showing off his tail:


If I had any artistic skill, this project would have been easier (it took me about five hours), but I admit I struggled to get my rat to have a proper resemblance to Remy. I guess I succeeded, because when Manzi opened the package, she obviously recognized him right away:


Happy happy joy joy, hey Blog?

DAD'S ROBOT

My dad taught me a love of science fiction from practically babyhood. He introduced me to one of sci-fi's most famous robots, Robby from "Forbidden Planet," way back in the early 60s. As I pondered what I might create for a guy like him, the idea of a robot came pretty quickly to mind.

My day job is at a company that sells machine parts, and it so happens we have a lot of parts that have been used as promotional and display items and end up sitting around in odd corners and drawers, going to waste (and making a lot of clutter). From these I scavenged a nice collection of bolts, brackets, washers, oil site glasses and other nifty steampunk-y elements. Supplemented with a few items from our own junk drawers, I had enough stuff to combine into a robot. In fact, I used nearly everything I had glommed: again, kismet.

Combining these elements with metallic polymer clay, assembled with super glue and support wires for strength and stability, after something like four hours I achieved this final result:


Note that inside his belly you can see behind the glass a little red heart! That's 'cause I love my dad.  :-)

Here's the back view:


He looks ready to take over the universe, hey? And here's Dad showing him off on Christmas Eve:


JEWELRY FOR SHERRIE AND AVA

Polymer clay jewelry is where I started with this hobby, so for sure that came into play come gift-making time.

For my mother-in-law Sherrie, who likes pins, wears a lot of blue, and collects birdhouses, I made a bird pin. I used techniques from my idol, Christi Friesen. Here it is:


I'm a sucker for jewel tones. Alas, I was at the day job when Sherrie received this so no photo of her wearing it, but she told me on the phone she loved it. Yay!

Meanwhile, for Nate's daughter Ava, I had to utilize Christi Friesen's dragon techniques. Ava loves the movie "How to Train Your Dragon" (who wouldn't?) so I wanted to give her a dragon of her own. I also worked her name into it! Happily, it's not hard to carve "AVA."


The little guy is curled around a blue stone and has bead eyes and a nice string of iridescent beads along his spine. As of this writing we haven't had a chance to give it to Ava yet, but I have been assured she will adore it!

Both these pieces came out in less than three hours. You can make such cool things with polymer clay so quickly!

STOCKING STUFFERS:  TREE ORNAMENTS

Not content to leave the claying at that, I also made a little tree ornament for each of the grown-ups. I had several ideas I had accumulated during the season and wanted to try them all.

For foodies Manzi and Nate, it seemed appropriate to make something that looked edible. I had seen faux chocolates at Stein's Garden & Gifts and knew you could make fake chocolate a lot better with polyclay. I made four different chocolates and strung them up in pairs with red cord on homemade wire hooks. See what I mean? It starts me drooling just to look at them. Trick of the trade for stuff like this: use mismatched scrap clay for the cores and then cover with the good stuff.

For the older generation among us--Dad and Sherrie--I went for elegant. Sometime during our holiday shopping I saw tiny packages made of polymer clay, so I wanted to try it myself. I made red and green striped wrapping paper of pearlized red and green clay, and YES, it was just as painstaking as you might suppose. Yikes. But all worth it when I saw the result, such evenly striped, thin stuff. I literally wrapped two "boxes" of scrap clay in this wrapping. They were finished with tiny ribbons and bows of white clay. After baking, I painted Future floor polish on the bows and ribbons to make them shiny. With a wire loop inserted and strung on red cord, the ornaments were good to go on the trusty tannenbaum.

Katie and Chris are the whimsical types, so for them I had to make a pair of anthropomorphized Christmas tree bulbs. I think you can work out from looking at them the simple approach I took; and I used leftover clay wrapping paper for their little scarves (that stuff was too cool to toss out). A coating of Future on the "glass" parts makes them shiny.


Well, Blog, that sums it up for this year's Creative Christmas presents on my part. I can report that I've never had a Christmas where I enjoyed giving gifts even half this much. And the getting was just as much of an upgrade! From the promissory note for a professional photoshoot of all my crafts by Chris (much better than these pix have been, Blog), to Nate's crazy "Give me the Davie Special" gift basket of rum and amaretto...


...to Katie's spa kits and certificate for a full-fledged spa day at her house, to Manzi's fun homemade gift cards for activities with her stepdad, everyone came through. Even non-artistic Davie found some absolutely amazing gifts we never imagined existed.


That was our Christmas at Magic House. If it sounds fun to you out there, you have almost a year to plan for having a Creative Christmas in your own family's style in 2012! Needless to say, we're already percolating ideas...

December 14, 2010

The most romantic date ever imagined

Blog, if Christmas isn’t a time for romantic fantasies, I don’t know when is. Having a doozy sort of imagination, I came up with a doozy, which in the interest of holiday cheer I thought I’d share with our readers. Everyone has his or her own concept of the most romantic date ever, and I hope today’s post will inspire others to do their own Christmas dreaming a little early this year.

Of course a girl has to start with her current crush in the role of protagonist. Mine this year is Jack Hodgins from “Bones,” played by the inimitable T.J. Thyne. (I know he just married Angela on the show, but I’m married in actual real life, so what’s your point, Blog?) In order to pull off this dreamy holiday date, a guy would have to be unrealistically aware of feminine hopes and dreams, as well as loaded with a ton of disposable income. Neither T.J. nor Jack really qualify I imagine, but look...if I were going for plausibility here I would simply go out with the awesome Davie (my husband, that Davie).

Okay, let’s roll it...

Jack announces to me that he has planned the ideal Christmastime date, and it starts at the mall. Yes, the mall, don’t roll your eyes, Blog. He’s found a fantasy mall that is just about the most festive shopping scene you could imagine. Every shop in the place is decked out in holiday splendor, and there’s a fairy tale castle in the food court inhabited by the perfect Santa and the coolest elves. We’re holding hands and window shopping, when suddenly around us people start singing “Welcome Christmas” from “The Grinch.” You know, like one of those viral videos where regular people in the place turn out to be this fantastic choir incognito. It’s glorious! Jack and I sing along and grin at each other and I weep a few tears of joy.

Well, Jack tells me he has a little “private shopping” to do, and he drops me off at a salon. The beauticians have been prepped in advance to do a fabulous makeover on me, hair and nails and makeup, the whole bit. It’s a complete Fairy Godmother scene. I can’t imagine where I could go looking so fancy. Well, as they finish up with me, a couple of big packages are delivered to the salon, all wrapped up in spectacular paper and bows. One is this gorgeous ivory cashmere wrap, and the other is a gown with matching shoes. It’s mocha colored and glittery and shimmery and I love it. I put it on and model it for the salon folks, and just then who should show up but Jack.

He’s staring at me like a man possessed, and murmurs, “You look perfect.” I blush and feel like a million and a half dollars. I say, “You got me these presents, didn’t you?” He nods and says, “Yeah, and this one,” and holds out another package. I unwrap it, and it’s a necklace, bracelet and earrings with those chocolate diamonds and pearls that I’ve seen advertised on TV and know are too expensive for a sane person to buy. They are also perfect with the gown. Jack helps me put the jewelry on, and the salon staff all claps, and I’m speechless.

“Now,” says Jack, extricating himself from my crazed embrace, “you look so great you have to go somewhere.” He tells me there’s a limo waiting for me outside the mall, which will take me to our next destination, where he’ll be waiting for me. Stunned, I agree to follow his directions. Jack takes off with a look of glee on his face, and I say farewell to my friends in the salon and go out the back door to where a beautiful black limo is parked, sure enough.

The limo driver is that cool cabbie from “How I Met Your Mother,” and he’s super nice. He settles me in the back like a real footman, and off we go. We drive through the city streets and I admire all the Christmas lights and try to guess where we could possibly be going. He takes a bit of a scenic route but I don’t mind; the limo is playing Christmas music and I keep looking at my necklace and bracelet and wonder how it’s possible those gorgeous things are on my body.

Finally we pull up to this fabulous art deco building that has a big stairway leading up to the front entrance. It looks like an opera house or something equally elegant. The driver lets me out, and then I see Jack coming down the stairs towards me. He’s in a tuxedo and looks beyond dreamy. Which I tell him. He just smiles secretively and takes my hand, and we go up the stairs and into the building.

Inside there is a fabulous ballroom, decked out in Christmas trees and holly boughs and candlelight. A big band is playing “Christmas Waltz,” and the room is full of dancers in their finery. Jack and I dance, flying across the floor as if we’re on “Dancing with the Stars” or something. And so it goes, we dance and drink champagne and eat lovely little canapés and cookies, and stroll around admiring the decorations and enjoying the music, and dancing some more.

Then the band pauses, and Jack excuses himself with a sly look, and heads towards the stage. Next thing I know, he’s at the microphone saying, “I have a holiday dedication for a very special lady, so I hope you all won’t mind if I sing this next one.” The crowd looks excited and happy, the band strikes up “What Are You Doing New Year’s Eve?” and Jack starts to sing.

His voice is amazing, and all the time he’s looking at me with this tender expression and that smile of his that just makes me crazy. I feel like the most beautiful girl on the planet. When he’s done the crowd goes crazy, and he comes back to me and kisses me in front of everyone.

Well, at this point, Blog, I figure I must simply have died and gone to heaven. But the night isn’t over yet. After a few more dances, a little more champagne, Jack asks if I’m ready for our next stop. I can’t believe there is a next stop. But he gets my wrap and puts it around my shoulders, and we go back outside where there’s another limo waiting, a white one this time.

We cuddle up inside and drink some hot cocoa, and take a long drive past more beautifully decorated buildings and shops and parks. At last we pull up to this fancy hotel, and the car comes to a stop.

So yes, we have a room at this fantastic hotel, a special, immense Christmas room that has a real tree in it all decorated, and a fireplace with a roaring fire, and little white lights all over the ceiling like stars. There’s another present sitting on the bed, and I open it to find a beautiful ivory satin negligee. Jack and I get ready for bed, and snuggle together, and I go off about what an incredible time it all was that I will never, ever forget. Jack tells me, “I know you won’t, I made sure about that...but that’s a surprise for morning.” I can’t imagine what he means, and I’m too exhausted to ponder it for long, and fall asleep in his arms.

The next morning room service brings us a fabulous breakfast, and set it out on the table in our room, with red and white roses and more champagne and wonderful coffee. We linger a long time over the meal, talking about the night before and how nuts we are for each other and other cheerful subjects. Then there’s a knock at the door and Jack returns with another wrapped gift. “Here’s what I promised you last night,” he says, and gives it to me.

When I open the package I find inside a beautiful scrapbook. Inside it’s full of unbelievably perfect photographs of everything that happened the previous day: the singing at the mall, my makeover, me in the gown opening the jewelry, Jack at the top of the ballroom stairs, us dancing, him singing with the band, everything. “I hired two professional photographers to stalk us,” says Jack, “and a graphic designer to stay up all night putting that book together.”

Well, isn’t that just the capper, Blog? What kind of guy would think of such an amazing idea? Well, a guy I dreamed up, I guess, Blog. Sigh. You know, if I could just borrow T.J. Thyne to do a fake photoshoot to create that scrapbook, that in and of itself would be super fantastic.

I love Christmastime romantic fantasies, don’t you? Anyone out there have a holiday date idea I left out? Want to tell me who you’d pick for your fantasy date? Anyway, I hope my doozy imagination inspired a few people to do some Christmas dreaming.